About
I'm a theatre maker / contemporary dancer / performer living in Brussels and London.
SERIOUS BIOGRAPHY
Recently I've been:
Performing in projects with Anastassya Savitsky / Theater FroeFroe, ONAF, Sidney Leoni, SIDEWARDS, Nat Gras, Orley Quick & the Hairy Heroines, Maria Miguel Rodrigues. In school I worked with Theo Clinkard, Agostina d'Allesandro, Daniel Linehan, Lisi Estaràs, Kerry Nichols, Lea Anderson, Fernanda Prata, New Art Club...
Making (mostly dance and theatre) at Zoo Venues (Edinburgh), Zinnema (Brussels), Room 100 / Peculiar Families Festival (Split), United Cowboys (Eindhoven), VierNulVier (Ghent), København Internationale Teater / Metropolis (Copenhagen), The Place (London), RADAR Mechelen (Mechelen), Royal Opera House (London), Siobhan Davies Studios (London).
Other miscellaneous roles include building a dragon with Bianca Zueneli (Il Drago della Svolta), assistant curation of SCREWED - sell out dance festival at The Bunker in London, extra work for Tanztheater Wuppertal | Pina Bausch, co-organising professional training in Brussels (Accompany Class) and teaching for Move Me Dance.
Institutional training includes: Royal Conservatoire of Antwerp (BE), London Contemporary Dance School, Lewisham College and Trinity Laban Centre for Advanced Training programme (all UK).
Mentored by: Lea Anderson, Kate Flatt, Sarah Dowling, Iris Tomlinson, Avril Anderson, Robert Sutton-Anderson.
SILLY BIOGRAPHY
Alarmed and confused at the state of the world but carrying on anyway, Elliot fondly remembers playing musical statues and being a fish in movement classes at school. Today his artistic practice remains largely similar frequently working with games and scores and challenging impersonation and embodiment. Coming from a background of jazz music and alternative stand-up comedy, his higgledy-piggledy performance experience (dance and otherwise) has seen him co-developing 'skateboard technique', deliberately mislabelling body parts, playing imaginary tennis, engaging (and winning) in curtsey competitions, and inventing dog breeds.
SERIOUS BIOGRAPHY
Recently I've been:
Performing in projects with Anastassya Savitsky / Theater FroeFroe, ONAF, Sidney Leoni, SIDEWARDS, Nat Gras, Orley Quick & the Hairy Heroines, Maria Miguel Rodrigues. In school I worked with Theo Clinkard, Agostina d'Allesandro, Daniel Linehan, Lisi Estaràs, Kerry Nichols, Lea Anderson, Fernanda Prata, New Art Club...
Making (mostly dance and theatre) at Zoo Venues (Edinburgh), Zinnema (Brussels), Room 100 / Peculiar Families Festival (Split), United Cowboys (Eindhoven), VierNulVier (Ghent), København Internationale Teater / Metropolis (Copenhagen), The Place (London), RADAR Mechelen (Mechelen), Royal Opera House (London), Siobhan Davies Studios (London).
Other miscellaneous roles include building a dragon with Bianca Zueneli (Il Drago della Svolta), assistant curation of SCREWED - sell out dance festival at The Bunker in London, extra work for Tanztheater Wuppertal | Pina Bausch, co-organising professional training in Brussels (Accompany Class) and teaching for Move Me Dance.
Institutional training includes: Royal Conservatoire of Antwerp (BE), London Contemporary Dance School, Lewisham College and Trinity Laban Centre for Advanced Training programme (all UK).
Mentored by: Lea Anderson, Kate Flatt, Sarah Dowling, Iris Tomlinson, Avril Anderson, Robert Sutton-Anderson.
SILLY BIOGRAPHY
Alarmed and confused at the state of the world but carrying on anyway, Elliot fondly remembers playing musical statues and being a fish in movement classes at school. Today his artistic practice remains largely similar frequently working with games and scores and challenging impersonation and embodiment. Coming from a background of jazz music and alternative stand-up comedy, his higgledy-piggledy performance experience (dance and otherwise) has seen him co-developing 'skateboard technique', deliberately mislabelling body parts, playing imaginary tennis, engaging (and winning) in curtsey competitions, and inventing dog breeds.